| 位置 | 标题 |
|---|---|
| - |
Grande Messe Des Morts - Requiem
|
| A |
N° 1 - Requiem Et Kyrie (1re Partie)
|
| B |
N° 1 - Requiem Et Kyrie (Suite)
|
| E |
N° 2 - Dies Irae - Tuba Mirum (2e Partie)
|
| F |
N° 2 - Dies Irae - Tuba Mirum (Fin)
|
| G |
N° 3 - Quid Sum Miser
|
| H |
N° 4 - Rex Trémendae (1re Partie)
|
| I |
N° 4 - Rex Trémendae (Fin)
|
| J |
N° 5 - Quaerens Me (1re Partie)
|
| K |
N° 5 - Quaerens Me (Fin)
|
| L |
N° 6 - Lacrymosa (1re Partie)
|
| M |
N° 6 - Lacrymosa (Suite)
|
| N |
N° 6 - Lacrymosa (Fin)
|
| O |
N° 7 - Offertoire (1re Partie)
|
| P |
N° 7 - Offertoire (Fin)
|
| Q |
N° 8 - Hostias
|
| R |
N° 9 - Sanctus (1re Partie)
|
| S |
N° 9 - Sanctus (Fin)
|
| T |
N° 10 - Agnus (1re Partie)
|
Some copies have a sticker "T.M. I.M.E.P.M." (probably meaning Trade Mark Industries Musicales et Electriques Pathé Marconi). Made during World War II using recycled material (circled NP under labels). [Uncredited info]: Recording dates: 15 September 1943: matrix numbers CLX 2377-1 to 2382-1 16 September 1943: matrix numbers CLX 2383-1 to 2388-1, CLX 2391-1 to 2394-1 17 September 1943: matrix numbers CLX 2395-1 to 2398-1 9 May 1944: matrix numbers CLX 2389-3 and 2390-3 Recording places: Église St. Eustache, Paris: matrix numbers CLX 2377-1 to 2388-1 and CLX 2391-1 to 2398-1 Studio Albert: matrix numbers CLX 2389-3 and 2390-3 This release is the first complete recording of the "Grande Messe des Morts op. 5", composed in 1837 by Hector Berlioz.